Looking back at…Gormenghast: Titus Groan

On 28th Nov 20204th Dec 2020 By elliepitkinIn 10th Anniversary, Gormenghast

11th-14th April 2012
The Actors’ Church, Covent Garden

Gormenghast: Titus Groan by Mervyn Peake
Adapted by Vikki Weston, Prudence Chamberlain, Poppy Corbett, Max Olesker, and Richard Stratton, for Blackshaw Theatre Company

Our first production. They say go big or go home, and with this as our debut show we went really, really big. It was a massive undertaking. Developing the script from Mervyn Peake’s original book, working with a cast of twenty, and creating an elaborate set that worked around the venue’s existing features. It was a great challenge, we had an enormous amount of fun and made some great friends in the process, many of whom we went on to work with again.

“Director Ellie Pitkin has undoubtedly achieved a feat of excellence in her homage to Peake’s novel. This was a brave and wonderful new world” – London Festival Fringe

CAST

Barquentine – John Rayment
Lady Cora – Angela Ferns
Lady Clarice – Clare Harlow
Lady Fuchsia Groan – Ceridwen Smith
Flay – Lee Ravitz
Countess Gertrude Groan – Terry Diab
Dr. Alfred Prunesquallor – Alexander Pankhurst
Irma Prunesquallor – Lucy McCabe
Rottcodd – Peter Picton
Lord Sepulchrave Groan – John Harwood
Nannie Slagg – Sarah Shelton
Sourdust – William Seaward
Steerpike – Francis Woolf
Swelter – Liam Fleming
Titus Groan – Esme Tennant
Pellet/Spurter/Soldier – Luke Manning
Book Bearer/Wrattler – Paul G Raymond
Soldier/Springer – Paddy Freeland
Ritual Servant/Twins’ Maid/Chipper – Miranda Marvin
Ritual Servant/Kitchen Boy – Greg Harradine

“Highly recommended…to be seen by all Mervyn Peake Fans.” – Sebastian Peake

CREATIVES

Writers – Prudence Chamberlain, Poppy Corbett, Max Olesker, Richard Stratton
Script Editor – Vikki Weston
Director/Producer – Ellie Pitkin
Set & Costume Design – Zahra Mansouri
Composer – Greg Harradine
Sound Design – David Turnbull
Lighting Designer – Josh Yard
Stage Manager – Lizzie Cooper
Publicity Manager – George Islay Calderwood
Publicity Asst. – Bruce Asher
Asst. Director – James Barry
Marketing Manager – Matt Boothman
Education Coordinator – Charlie Limm
Filmmaker– James Burt
Costume Assistant – Flettie Bertram
Costume Assistant – Andrea Pierides
Lighting Asst. – Tom Woods
Sound Asst. – Andrew Crane
Make-up & Hair – Laura Jones
Photography – Nivine Keating (Morrighan Images)

Production Assistants:
Nick Tatchell
Sophie Talbot
Laura Nixon
Miranda Blazeby
Cole Campbell
Rosie Fullwood
Chloe Courtney
Tom Walters
Helen Johnson
Chris Starkey

Brilliant and resourceful
Remote Goat

Photos by Morrigan Images (Nivine Keating).

Gormenghast: Titus Groan – readthrough Feb 2016

On 20th Jun 201619th Dec 2020 By elliepitkinIn GormenghastLeave a comment

We’ve been working really hard on lots of funding applications to reboot our adaptation of ‘Gormenghast: Titus Groan’ – while we wait with our fingers crossed, here’s some lovely photos from the readthrough we had in Feb.

Photos by Nick Tatchell.

Coming up in 2016

On 1st Jan 2016 By elliepitkinIn NewsLeave a comment

So, ‘What’s next for Blackshaw?’ I hear you cry!

It’s a box-fresh new year, and we’ve got lots to look forward to in 2016…

Great Expectations: a radio drama adaptation of Dickens’ classic

A fantastic collaboration with Cyphers theatre, the first episode of this epic adaptation will be aired tomorrow evening (Sunday 3rd Jan), 6-7pm on Wandsworth Radio for The Blackshaw Arts Hour. Tune in live or listen again by subscribing to our podcast on iTunes (or stream online via podbean).

Read more about the project, its cast and creatives, here.

Industry performance of Blackshaw’s Showcase Award Winner 2014: Call it Even by Naila Vázquez Tantinyà

11th January 2016 – StageSpace, Pleasance, London, 7.30pm

“Dad, you couldn’t even get dying right…”

Jamie’s father has died. In Gran Canaria. And now he’s got to deal with it – all of it.

Call it Even follows the struggle of a young transgender man to reconcile with his Dad, after he’s gone. Feeling like a stranger in a land where he doesn’t even speak the language, Jamie has a lot of tidying up to do. Uncle Dave isn’t much help, but will he find an unexpected ally in Macarena, the new woman in his Dad’s life (death)?

Booking open for industry only.

New Writing Nights at The Horse & Stables, Lambeth

Weds 30th March – Shortlist for the Showcase Award 2016 (submission deadline: Fri 11th March)

May TBC (submission deadline: Fri 29th April)

Weds 27th July (submission deadline: Fri 8th July)

Weds 28th September (submission deadline: Fri 9th September)

Weds 30th November (submission deadline: Fri 11th November)

You can submit your writing, or get involved as an actor or director – see our website for details.

(Seeing) Black Shuck by D. J. Hands at WAFF 2016: Wandsworth Arts Festival & Fringe

A fantastic piece of new writing from emerging playwright, D. J. Hands, who is working with us to develop the piece. A tragi-comedy about two would-be smugglers, this play explores the treacherous relationship between Martha and Andy as they await a shipment from Holland on a beach in Norfolk. The possibility of a ghostly visit from ‘Black Shuck’ and the tense situation put additional stress on their already strained relationship.

6-22nd May 2015 (exact dates TBC), The Bedford, Balham

Gormenghast: Titus Groan at Battersea Library

3rd November – 4th December, Battersea Library, Clapham Junction

We’re thrilled to be staging a full run of our adaptation of Mervyn Peake’s cult classic.

With some cast from our original (2012) production, we will be opening auditions for some new faces (around June/July) and recruiting a top creative team so keep your eyes peeled for upcoming opportunities.

This production is contingent on funding – we’re beavering away already and will keep you updated on our progress.

About Gormenghast

On 6th May 201219th Dec 2020 By elliepitkinIn Gormenghast

Here’s a little more info on that mammoth adaption we performed in 2012.

The Gormenghast series, or Titus books, written by artist, author and poet Mervyn Peake, are set in a timeless world with a rigid class structure, thousands of age old traditions, and one ambitious kitchen boy. Titus Groan tells the first part of the story; the birth of Gormenghast’s heir, the descent of the Earl into madness, and Steerpike; a kitchen boy determined to better himself at all costs and who by doing so shakes Gormenghast to its very core.

Mervyn Peake was a poet, illustrator, playwright and visionary creator of Gormenghast. He spent some years of his childhood in Tienstin, China – the world of which is very much present in Gormenghast. He went on to create innumerable illustrations, as well as writing wonderful poetry, novels and nonsense literature. Though he did not enjoy great success in his lifetime, he was well respected and admired by his peers. In more recent years, Peake’s work has received the recognition it deserves, and Blackshaw is proud to be a part of that.

REVIEWS

“A somewhat dysphoric (though incredibly humorous) universe is painted in large swathes of theatrical colour from the moment one takes an actual pew. The Master of the Ritual unravels and drops an acme-sized scroll from balcony to floor and immediately we witness the sheer size and downright chutzpah that this production delivers all the way through.

They incorporate projection, mime, a very high level of physical theatre, impressively zany costuming and an incredible soundscape – both live and tinned An outstanding cast must be commended for carefully nurturing these characters into a cohesive circus of idiosyncrasies, all maintaining a sparkle of cartoon but never at the cost of anyone else. On that note, Director Ellie Pitkin has undoubtedly achieved a feat of excellence in her homage to Peake’s novel. This was a brave and wonderful new world for me, and it deserves a great deal of attention.” – London Festival Fringe

“Highly recommended, this very colourful & energetic production had some outstanding & very moving performances…to be seen by all Mervyn Peake Fans.” – Sebastian Peake

“the brilliant and resourceful use of the space…combined with atmospheric accompanying music ensured that my attention was soon entirely absorbed… the production hummed with energy, moving dextrously from the hilarity of satire to a real sense of a world and a family that is falling inexorably and tragically to pieces. Roll on part two of the Gormenghast trilogy!” **** FOUR STARS – Remote Goat

You can see production photos, behind the scenes snippets, and more, in our other blog posts.

See more Gormenghast posts