We’re not in the studio this week, but we are still delivering the goods! Here’s episode two of Black Shuck…
Listen to the podcast here:
Blackshaw is a theatre production company, championing new writing and adaptations on stage and in audio.
We’re not in the studio this week, but we are still delivering the goods! Here’s episode two of Black Shuck…
Listen to the podcast here:
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Excitement abounds as in this episode we:
Pop it in your ear canals…
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Matt and Ellie bring you such aural delights…
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Article – The Trouble with Hollywood’s Gender Flips
That Monty Python sketch
Settle down for some spooky tales! A live recording of our 2017 Scare Slam, featuring the following performances:
The Scratch by Chris Lincé
The Fatberg of Whitechapel by Reece Connolly
Murder of Crows by Ed Hartland at Stack 10 Theatre
The Watching Eye by Dan Weatherer (performed by Ellie Pitkin)
Big Eyes by Liam Steward-George (performed by Jessica Brindle)
The Watcher by Joseph Willis
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Check out the pics and reviews here.
The Scare Slam was recorded live and will be airing on the Blackshaw Arts Hour podcast on 3rd Jan 2018.
Photos by Richard Stratton – https://500px.com/richardstrat
For the first show back into 2017 Iasha is joined by Matt and a very new voice to the show, Sinead Burniston, a fellow Holloway graduate and theatre lover.
Matt reviews the Lego Batman film, we hark back to some old conversations from 2016 including a run down of Harry Potter and The Cursed Child, how bad Suicide Squad was and Iasha talks musicals and lack of tap with Half a Sixpence.
Next show Matt’s reviewing Fifty Shades Darker, and if there is a show not to miss this year, it’s that one. So much awkward.
This week on the show Iasha, Matt and Ellie are joined by Strat and Alex, doing their very first ‘Art’ on the new segment ‘Strat and Alex Do Art’.
The Blackshaw Arts Hour turned 50! We had a party with fizz, hats and party poppers.
“Played by Alexander Pankhurst, it’s an enjoyable portrayal of this geeky character who is able to precisely name different birds by their call alone. He provides a wonderful foil to Martha played by Rachel Nott, a bolshie and dominating woman. The two of them are a comically incompetent pair.”
“There is a particularly well thought out lighting and sound design by Andrew Crane who helps to transport us to the night-time Norfolk Coast and give the play some eerie atmospheric effects. The aeroplane landing lights is particularly effective. The one simple piece of set, a groyne, also works wonders.”
Read the full review here.