Blackshaw is a theatre production company, championing new writing and adaptations on stage and in audio.
Ellie, Matt and Alex catch up with Dave Bibby re: Edinburgh and his show ‘Nobody Puts Bibby in the Corner’, Matt reviews ‘Under the Shadow’ and we play another round of Edfringe Roulette! Also, we announce our 3rd Annual Scare Slam at the London Horror Festival (23rd October, 7pm, Old Red Lion).
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Relevant Links:
This episode features Matt, Ellie, Alex and Strat.
Matt reviews ‘The Beguiled’ – spoiler, he says he has ‘almost forgotten it already’.
We chat to some lovely people about their Edinburgh Fringe shows:
Dave Bibby – Nobody Puts Bibby in the Corner
Richard Stott – Wretched
Anna Marsland – Ballistic
Christopher Woodley – The Soft Subject (a Love Story)
Strat & Alex do Art: The cut-up technique (or découpé in French) is a literary technique in which a text is cut up and rearranged to create a new text. The concept can be traced to at least the Dadaists of the 1920s. We gave them a copy of the Evening Standard each and let them run riot with the scissors (NB: no actual running with scissors occurred – that’s not allowed).
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Relevant Links:
https://tickets.edfringe.com/whats-on/soft-subject-a-love-story
https://tickets.edfringe.com/whats-on/wretched
https://tickets.edfringe.com/whats-on/nobody-puts-bibby-in-the-corner
https://tickets.edfringe.com/whats-on/ballistic
On the show this time – Ellie, Matt, Alex and Jess. A review of ‘Baby Driver’, and a light touch review of ‘Spiderman: Homecoming’, and a quick round of EdFringe Roulette.
Jess talks to us about the show she’s in at the fringe, ‘Dates’, and we hear from Karen Bartholomew, whose show ‘God’s Waiting Room’ is playing at the King’s Head as part of Festival 47.
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Relevant Links:
https://tickets.edfringe.com/whats-on/dates
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