Blackshaw Arts Hour – Episode 94

Ellie and Matt bring you:

  • A review of ‘Venom’ and ‘A Star is Born’
  • Strat & Alex do Art: Papier Mache
  • A taster of the latest offering from our sister podcast, ‘Merely Roleplayers’ – this time, they’re in Space!
  • We chat about a new book what we’re in! Check out Dan Weatherer’s latest publication, ‘The Dead Stage: A Journey from Page to Stage‘ – now available on kindle and paperback
  • Announcement: as of Feb 2019, we will be ceasing to broadcast our ‘magazine’ style show every fortnight. instead, we will be focusing our energies on producing more audio drama – for more info on this and the fabulous programming we have coming up, to take us to our 100th(!) episode, have a read of this.

ANNOUNCEMENT: Podcast format changing after our 100th Episode

**Announcement Klaxon**

As of Feb 2019, we will be ceasing to broadcast our ‘magazine’ style podcast every fortnight. Instead, we will be focusing our energies on producing more audio drama.  As we wind down (or up?) to our 100th episode of the podcast, the next few months’ programming looks like this…

21st Nov – Black Shuck, a radio play, in full
5th Dec – Great Expectations, a radio play, Part 1
19th Dec – Great Expectations, a radio play, Part 2
2nd Jan – Great Expectations, a radio play, Part 3
16th Jan – Great Expectations, a radio play, Part 4
30th Jan – 100th Episode!

 

Scare Slam 2018 Lineup Announced

The spooktacular Scare Slam is upon us and we’ve got chills…the terrifying line up is as follows:

Mrs Miller by Reece Connolly

At school, I’m the only kid who’s afraid of Mrs Miller. And I think that’s because – in all honesty – I’m the only kid who can see her…’ A haunted classroom, a sadistic ghost, and one terrified school kid. This is the story of little Rory and his least favourite teacher. Told in rhyme.

My primary school was a Victorian-build that looked a lot like the Amityville house and backed out onto a derelict graveyard. I feel a lot of that probably made its way into this piece of scholastic terror. I’m a writer and performer originally from the North East, now based in East London. I’ve written and directed HUBERT IS VERY DEAD which is playing at the London Horror Festival on Oct 23rd + 24th, and my original play CHUTNEY [about a couple who decide to spice up their relationship by murdering their neighbours’ pets] is running at The Bunker Theatre throughout November.

 

An Evening by Patrick Chivers

Performed by Peter Frost

A man pays a visit a friend, absent on the night of their bi-weekly textiles class. The savage plot he uncovers is both haunting and tragic.

This story is a Poe-lite fable written by Patrick Chivers – soon to be seen presiding over ‘Midnight Horror’ on 26 & 27th October (the only midnight production and cheapest ticket of the festival!!) He writes: ‘For those with a taste for pre-textual explanations, I’m afraid you’ve come to the wrong wordsmith. Like the shocked face of an unidentified corpse, this dumb tale must be left to speak for itself.’

 

Banshee Bungle by Vivian C Lermond

Performed by Victoria Howell

On the Eve of All Hallows, 2 Celtic Creatures on their way to “a job” miss the opportunity and one lucky man is spared to live another day.

BANSHEE BUNGLE is a monologue in the style of the old storytelling tradition. Vivian is an award-winning playwright whose one-acts and monologues have entertained audiences in the US, Mexico and the UK.

 

The Intruders by Jason D. Brawn

A couple get a rude awakening during their sleep, in a cottage in the middle of the nowhere. What if witch-hunting still existed today in rustic England?

Jason D. Brawn is a rabid fan of the horror genre, and a writer of dark fiction, which includes a plethora of published short stories and prose poetry, as well as a few produced radio plays and comic book scripts. His short screenplay Portrait was made as a successful short film, and he holds a BA in Film and Media from Birkbeck, University of London.

 

The Beast by Scott Younger

An 18th century merchant tells of his enslavement in Africa, and the terrifying cargo he escaped with.

This piece is taken from a longer play about The Beast of Gevaudan, a true story of a wolf-like creature that terrorised France in the 18th century.

 

Lay Me Down by Morgan Noll, presented by Somna Theatre Company

Performed by Robbie Heath

“Lay Me Down” is a short horror tale in the form of a spoken monologue, relying on the imaginative power of children to generate a grim story of religious fear and parental anxieties. “The Monsters are Due on Maple Street” meets “The Babadook” .

New kids on the block, Somna Theatre Company, have produced Lay Me Down as a thematic appetiser for their debut show as a company, Who Put Bella in the Wych Elm? A one man show focused on parental fears, alienation and child paranoia. If you like what you hear tonight, then be sure to attend their London Horror Festival premiere October 15th at 9:30pm at the Old Red Lion Theatre.

 

Warm and Chewy by Ollie George Clark

Performed by Dene Horgan

Warm and Chewy is the story of Gerty, the parasite of a small community and how, when the rain stops and food becomes scares, the community turn to feed on him and discover just how warm and chewy he is.

This is the story of Gerty, the over grown globby parasite of a small town, becoming the Warm and Chewy centre of the community. Written by BAFTA Rocliffe Writer Ollie George Clark, his writing credits include Coconuts at the Lyric Hammersmith Evolution Festival, Those we Exile at the Almeida and in the beginning… at the Bloomsbury Festival.

 

Nightsweats by Sasha Wilson

It is about a woman who finds herself alone and awake in the middle of the night in the Prairie during the period of Westward expansion. It’s about hallucination and a haunting and a man that comes running from the woods toward her house.

 

Sasha Wilson has been described as a “trifle morbid.” She is the author of Bury The Hatchet a true crime podcast meets live bluegrass musical about the infamous American axe-murderess Lizzie Borden. She likes history and things that go bump in the night. This evening is no exception. This evening, ladies and gentlemen, she presents “Night Sweats” a tale of terror and loneliness in the Wild West.

 

Get your tickets now!

Blackshaw Arts Hour – Episode 90

Ellie & Matt are on their holidays, so here’s a quick fix of the Blackshaw Arts Hour to keep you going –

Black Shuck Episode 3 – we’ve heard the tale of legendary Black Shuck, and poor old lopsided Rob’s Dad – we basically had the bejesus scared out of us – so, what was that terrifying noise?!

Talking of terrifying, we can now reveal that Blackshaw’s Scare Slam will be back at the London Horror Festival in October! Details here.

Listen to the podcast here:

 

Scare Slam 2018 – Applications Now Open!

Got a scary story to tell? We’d love to hear it.

Remember:

• – 5 mins max per piece
• – Notes can be used
• – These are solo readings of scary stories or anecdotes
• – You can only submit your own writing
• – We encourage writers to read their own work (but writers can work with an actor if they prefer)
• – No tech – we will provide the spooky atmosphere…

Download a submission form and submit by midnight on Fri 28th September.

Got questions? Just email ellie@blackshawonline.com

A night of chilling storytelling
Produced by Blackshaw Theatre Company

Lovers of scary stories, unite. Adding the fear factor to increasingly popular spoken word nights, storytellers from across the Horrorfest and beyond will share their worst (or should that be best?) nightmares at Blackshaw’s third annual Scare Slam.

Prepare yourself for a night of chilling tales from both sides of the line of veracity.

Come on down for a scare, or, if you’d like to contribute a story, see below for info.

Listen to previous Scare Slams here: http://blackshawonline.com/blog/category/new-writing-night/scare-slam/

“ranging from peculiar to haunting, with some humour thrown in for good measure” – The Spy in the Stalls

“enjoyable, scary and memorable” – London Pub Theatres

“I was totally engrossed by it. A winning horror story that I wanted to end… for all the right reasons!” – Scare Tour UK

 

 

**ANNOUNCEMENT** – Scare Slam 2018

**ANNOUNCEMENT KLAXON**

The Scare Slam is back for its 4th consecutive year.  We’ll be haunting the Old Red Lion Theatre as part of the London Horror Festival, Friday 12th October, 9.30pm.

Tickets will be on sale, and applications opened, sooOoOoOn *ghost arms*!

Check out past Scare Slams (pics, reviews, recordings) here.

Blackshaw’s Scare Slam – at the London Horror Festival

A night of chilling storytelling, produced by Blackshaw Theatre Company

Lovers of scary stories, unite. Adding the fear factor to increasingly popular spoken word nights, storytellers from across the Horrorfest and beyond will share their worst (or should that be best?) nightmares at Blackshaw’s fourth annual Scare Slam.

Prepare yourself for a night of chilling tales from both sides of the line of veracity.

“ranging from peculiar to haunting, with some humour thrown in for good measure” – The Spy in the Stalls

“enjoyable, scary and memorable” – London Pub Theatres

“I was totally engrossed by it. A winning horror story that I wanted to end… for all the right reasons!” – Scare Tour UK

ANNOUNCEMENT: The Final Adventure of Frankie Fightwell Cast and Creatives

CHRIS BUXEY – Writer
Chris is a writer who lives in the south of England with his wife and two children. His first stage play, The Haunting of Exham Priory, toured theatres across the country in the autumn of 2016. When not writing stage plays, Chris can be found writing web comics and short stories online at chrisbuxey.com.

JOHN RAYMENT – Stuart

This is John’s third outing with Blackshaw, having previously appeared as ‘Barquentine’ in Gormenghast: Titus Groan (2012), and in the original reading of The Final Adventure of Frankie Fightwell in 2017’s Showcase Shortlist.

Other recent credits include:

‘Trotter’, Journey’s End (2016 UK tour/2017, Ypres, Belgium); ‘Mr. Monopoly’, Monopoly Live, Dubai (2015 & 2017); ‘Sarge’, Choppercoppers, The Brockley Jack (2017); ‘Marcus’ & ‘Patrick’, The Past Is A Tattooed Sailor, The Old Red Lion (2016); ‘Porteous’, Classified, The Space/Hounslow Arts Centre (2015 & 2016); ‘Roy’, Bedtime Story, Theatre Royal Stratford East (2016); ‘Mayor Red Thomas’, Secret Cinema presents Back to the Future (2014); ‘Albany’, Lear, The Union Theatre (2014); ‘Mayor Meanswell’, Lazy Town Live, Abu Dhabi.

ABIGAIL MORGAN – Frankie Fightwell/Rachel
Abigail is a graduate of Mountview Academy of Theatre Arts (2013). Since leaving she has played ‘Cassie’ in Gone Viral at St.James Theatre (2014), ‘Iris’ in To Be A Wife at The Hen and Chickens (2014), ‘Ellie’ in The Laundrette at the Vaults Festival (2018), and ‘Catherine Morland’ in Northanger Abbey (2017-18), which was at the Pleasance Theatre last year and will continue to tour later this year. She also completed her first feature film, One Night More, last year which is set to tour film festivals this summer.

Abigail is also an established voiceover artist. She is a regular voice for MTV, KISS FM and Capital FM. Abigail played ‘Billie’ in Billie and the Ghost on the Disney Channel, and has also recently finished her first animation.

TOM SLATTER – Dominic/Viktor
Tom’s credits include RSC, Suffolk Summer Theatre; Stonecrabs Theatre Co, Ovation Productions, Savio(u)r, Sell A Door Theatre Co, London Grey and Green Theatre Co, London Comedy Writers, Blackshaw Theatre, Tik-Sho-Ret Theatre Co, Foolish People and Sturdy Beggars. Screen Credits include Slate4Films, Embankment Films, Netflix/Hat-Trick, National Geographic, Discovery Channel and NEWSNIGHT on BBC. Radio credits include Wireless Theatre Company and Roundhouse Radio.

ELLIE PITKIN – Director and Producer
Ellie is the Managing & Artistic Director of Blackshaw Theatre Company, which she founded in May 2010. Directing credits include Our Country’s Good by Timberlake Wertenbaker (London & Edinburgh, 2009) and Arcadia by Tom Stoppard (London, 2006). With Blackshaw, Ellie has directed Some Treachery: A Miss McSkimming Mystery (Putney Arts Theatre, 2017); Black Shuck by Duncan Hands (Old Red Lion Theatre, 2016); Staying Alive by Kat Roberts (The Pleasance, 2015); Alice in Wonderland by Richard Stratton (Selkirk Upstairs, Battersea Library & The British Home, 2014 & 2015); Character by Florence Vincent (Selkirk Upstairs & Tristan Bates Theatre, 2014 & 2015); Fetch by Duncan Gates (Selkirk Upstairs, 2014); Audience with the Ghost Finder by M. J. Starling (Selkirk Upstairs & Etcetera Theatre, 2013); Gormenghast: Titus Groan (Apr 2012 – The Actors’ Church, Covent Garden).

A graduate in Theatre Studies from Royal Holloway University (2008), Ellie also comperes Blackshaw’s regular New Writing Nights and produces/presents Blackshaw’s podcast, The Blackshaw Arts Hour.

ANDREW CRANE – Foley Wizard
Andrew is a graduate in Drama and Theatre Studies from Royal Holloway University (2012), and has worked as a sound designer and technician for Blackshaw Theatre since 2012. Sound Design credits include Moth Man by Nicole Locke (2018), Cailleach Óg by Gerry Moynihan (2017), Black Shuck by Duncan Hands (2016), Call it Even by Naila Vázquez Tantinyà (2016), Staying Alive by Kat Roberts (2015), Alice in Wonderland by Richard Stratton (2014 & 2015), Character by Florence Vincent (2014), and Fetch by Duncan Gates (2014).For Blackshaw’s Arts Hour on Wandsworth Radio, Andrew has produced live foley and post-production editing for Some Treachery: A Miss McSkimming Mystery by Richard Stratton (2017), and designed/edited several radio plays including Audience with the Ghost Finder by M.J. Starling (2015), and a serialised adaptation of Great Expectations by Marcus Bazley.

Blackshaw Arts Hour – Episode 77

It’s a three-way in the studio this time, as Ellie, Matt and Andy talk arts, arts, arts…

 

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ANNOUNCEMENT: Moth Man Cast and Creatives

 

 

Check out this lovely lot! They’ll be creating a marvellous show on 8th March, for which you can now get (a very limited number of) tickets…keep it secret, keep it safe.

MEGAN PEMBERTON – Amber

Megan Pemberton is a graduate of the Oxford School of Drama and since graduating, her credits include Redefining Juliet at the Barbican (2016) ‘Pheobe’ in After Party (2017) at the Pleasance Theatre and most recently ‘Sargent Jackie Straker’ in Encompass Production’s Chummy (2017) by BAFTA award winning writer, John Foster.  She has recently returned from Junkbox Theatre’s sell out Edinburgh Fringe Tour of Stiff Dicky and Mine.

EDDIE USHER – Dave

Eddie trained at Drama Studio London.  Some of his theatre credits include A Clockwork Orange (UK/World Tour), Alkaline (Park Theatre), Romeo & Juliet (Camden Peoples Theatre), Should’ve Gone to Lourdes (The Arts Theatre)Smoking In The Boys Room (Theatre 503), Brainville At Night (The Old Red Lion), The Pope’s Wedding (The Cock Tavern).  TV and film credits include: Literally A Festival (BBC), Eva’s Diamond (Soob Productions), Centurion (Millicent Productions), The Only One Who

Knows You’re Afraid (DeCantillon Films), Metatron (Bargus Films), Pink Teats (Fright Fest), Sinister Ministers (Discovery Channel).  He’s waiting on the release of new film, A-Symmetry, which is in post-production.

 

 

LIAM FLEMING – Director

Liam works as a Director, Writer and Actor. He is the Artistic Director of in(ep)trepid, an immersive and interactive theatre company since 2014 producing shows for Green Space (2015) and Boomtown Festival (2017). He also runs Bare Essentials, a New Writing Night for Encompass Productions.

His most recent acting credits include: ‘Kevin’ in The Favourite By Yorgos Lanthamos (2018), ‘The Gate Keeper’ in The People’s Revolt By Differencengine (2017) and ‘Mr. Bliss’ for Boomtown Festival (2017).

Website: ineptrepid.com

Twitter: imaginationpipe

 

NICOLE LOCKE – Writer

Nicole is a graduate in English and Creative Writing from Royal Holloway University (2015) where she specialised in playwriting. She is currently completing a Masters degree at City University in Playwriting and Screenwriting, and looking for representation.

Nicole worked with Blackshaw (2013-2016), both as Company Administrator and New Writing Night Manager.  Since then, Nicole has gone on to focus and develop her own writing, including tonight’s play, Moth Man.  She enjoys writing dark comedies/dramas and has recently been experimenting with more supernatural elements.  Her current ambition is to get a run of Moth Man in a fringe theatre, developing it further and getting a wider audience to see her work.

ANDREW CRANE – Sound & Lighting Design