Looking back at…The Hunting of the Snark

1st September 2013
The Actors Church Covent Garden
Iris Theatre and the Space Between

Lewis Carroll’s nonsense poem devised by four theatre companies and staged as a piece of promenade theatre in and around the Actors Church in Covent Garden. We delivered the Barrister’s Dream section in the main church and vestry, with humour, puppets and an emotional memorial service for a pig. Standard stuff.

CAST

Ellie Pitkin
Richard Stratton
Francis Woolf
Clare Harlow
Angela Shepherd

SOUND

Andrew Crane

DRAMATURG

George Islay Calderwood

Looking back at…Gormenghast: Titus Groan

11th-14th April 2012
The Actors’ Church, Covent Garden

Gormenghast: Titus Groan by Mervyn Peake
Adapted by Vikki Weston, Prudence Chamberlain, Poppy Corbett, Max Olesker, and Richard Stratton, for Blackshaw Theatre Company

Our first production. They say go big or go home, and with this as our debut show we went really, really big. It was a massive undertaking. Developing the script from Mervyn Peake’s original book, working with a cast of twenty, and creating an elaborate set that worked around the venue’s existing features. It was a great challenge, we had an enormous amount of fun and made some great friends in the process, many of whom we went on to work with again.

“Director Ellie Pitkin has undoubtedly achieved a feat of excellence in her homage to Peake’s novel. This was a brave and wonderful new world” – London Festival Fringe

CAST

Barquentine – John Rayment
Lady Cora – Angela Ferns
Lady Clarice – Clare Harlow
Lady Fuchsia Groan – Ceridwen Smith
Flay – Lee Ravitz
Countess Gertrude Groan – Terry Diab
Dr. Alfred Prunesquallor – Alexander Pankhurst
Irma Prunesquallor – Lucy McCabe
Rottcodd – Peter Picton
Lord Sepulchrave Groan – John Harwood
Nannie Slagg – Sarah Shelton
Sourdust – William Seaward
Steerpike – Francis Woolf
Swelter – Liam Fleming
Titus Groan – Esme Tennant
Pellet/Spurter/Soldier – Luke Manning
Book Bearer/Wrattler – Paul G Raymond
Soldier/Springer – Paddy Freeland
Ritual Servant/Twins’ Maid/Chipper – Miranda Marvin
Ritual Servant/Kitchen Boy – Greg Harradine

“Highly recommended…to be seen by all Mervyn Peake Fans.” – Sebastian Peake

CREATIVES

Writers – Prudence Chamberlain, Poppy Corbett, Max Olesker, Richard Stratton
Script Editor – Vikki Weston
Director/Producer – Ellie Pitkin
Set & Costume Design – Zahra Mansouri
Composer – Greg Harradine
Sound Design – David Turnbull
Lighting Designer – Josh Yard
Stage Manager – Lizzie Cooper
Publicity Manager – George Islay Calderwood
Publicity Asst. – Bruce Asher
Asst. Director – James Barry
Marketing Manager – Matt Boothman
Education Coordinator – Charlie Limm
Filmmaker– James Burt
Costume Assistant – Flettie Bertram
Costume Assistant – Andrea Pierides
Lighting Asst. – Tom Woods
Sound Asst. – Andrew Crane
Make-up & Hair – Laura Jones
Photography – Nivine Keating (Morrighan Images)

Production Assistants:
Nick Tatchell
Sophie Talbot
Laura Nixon
Miranda Blazeby
Cole Campbell
Rosie Fullwood
Chloe Courtney
Tom Walters
Helen Johnson
Chris Starkey

Brilliant and resourceful

Remote Goat

Photos by Morrigan Images (Nivine Keating).

Hunting of the Snark – Performance Day

Our performance of the Barrister’s Dream in Iris Theatre’s production of The Hunting of the Snark went down a storm : )

It was great fun to perform and our audiences loved it!

Here are a few pictures of our final dress rehearsal for those that didn’t get a chance to see it.

Cast: Angela Ferns, Clare Harlow, Ellie Pitkin, Richard Stratton & Francis Woolf

Dramaturg: George Calderwood

Tech Operator/Sound Designer: Andy Crane

Sound Recordist: David Turnbull

Hunting of the Snark

SnarkExciting news!  Blackshaw is taking part in a one-day performance of ‘The Hunting of the Snark‘ (hilarious nonsense poem by Lewis Carrol).

We were invited to do so, alongside several other companies, by Iris Theatre (resident company at the Actors’ Church, Covent Garden – where we performed Gormenghast: Titus Groan in April 2012).  It will be performed in the church and grounds on 1st September and should be great fun.

There will be 8 different audience slots, with each audience group moving in promenade to view each section in turn.  Blackshaw has a 5-10 minute slot to perform ‘The Barrister’s Dream’ in the vestry of the church.    invited to do so, alongside several other companies, by Iris Theatre (resident company at the Actors’ Church, Covent Garden – where we performed Gormenghast: Titus Groan in April 2012).  It will be performed in the church and grounds on 1st September and should be great fun.

Tickets are already on sale, and you can check out Iris Theatre’s other fantastic summer productions here.

More news as and when we have it.

– Ellie

About Gormenghast

Here’s a little more info on that mammoth adaption we performed in 2012.

The Gormenghast series, or Titus books, written by artist, author and poet Mervyn Peake, are set in a timeless world with a rigid class structure, thousands of age old traditions, and one ambitious kitchen boy. Titus Groan tells the first part of the story; the birth of Gormenghast’s heir, the descent of the Earl into madness, and Steerpike; a kitchen boy determined to better himself at all costs and who by doing so shakes Gormenghast to its very core.

Mervyn Peake was a poet, illustrator, playwright and visionary creator of Gormenghast. He spent some years of his childhood in Tienstin, China – the world of which is very much present in Gormenghast. He went on to create innumerable illustrations, as well as writing wonderful poetry, novels and nonsense literature. Though he did not enjoy great success in his lifetime, he was well respected and admired by his peers. In more recent years, Peake’s work has received the recognition it deserves, and Blackshaw is proud to be a part of that.

REVIEWS

“A somewhat dysphoric (though incredibly humorous) universe is painted in large swathes of theatrical colour from the moment one takes an actual pew. The Master of the Ritual unravels and drops an acme-sized scroll from balcony to floor and immediately we witness the sheer size and downright chutzpah that this production delivers all the way through.

They incorporate projection, mime, a very high level of physical theatre, impressively zany costuming and an incredible soundscape – both live and tinned An outstanding cast must be commended for carefully nurturing these characters into a cohesive circus of idiosyncrasies, all maintaining a sparkle of cartoon but never at the cost of anyone else. On that note, Director Ellie Pitkin has undoubtedly achieved a feat of excellence in her homage to Peake’s novel. This was a brave and wonderful new world for me, and it deserves a great deal of attention.” – London Festival Fringe

“Highly recommended, this very colourful & energetic production had some outstanding & very moving performances…to be seen by all Mervyn Peake Fans.” – Sebastian Peake

“the brilliant and resourceful use of the space…combined with atmospheric accompanying music ensured that my attention was soon entirely absorbed… the production hummed with energy, moving dextrously from the hilarity of satire to a real sense of a world and a family that is falling inexorably and tragically to pieces. Roll on part two of the Gormenghast trilogy!” **** FOUR STARS – Remote Goat

You can see production photos, behind the scenes snippets, and more, in our other blog posts.